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A Spirited Defense of First Amendment Rights
April 03, 2007

Russ Lawrence
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On March 29, the Ravalli Republic published the following Letter
to the Editor from ABA President Russ Lawrence of Chapter One Book Store in
Hamilton, Montana. Lawrence, who is a former member of the Board of Directors
of the American Booksellers Foundation for Free Expression, wrote in response
to a letter from a local censorship activist who dared critics to prove that
obscenity laws threaten free speech.
Ordinance Weakens First Amendment Rights
By Russ Lawrence
In January, Dallas Erickson issued a challenge to name one incident in which
a legitimate library, school, bookstore, museum, or cultural arts institution
was charged with obscenity.
Name just one incident? The challenge is outrageous -- I don't know
what Mr. Erickson was thinking. Recent history suggests that legitimate cultural
entities are very often the target of such laws. It also suggests that such
prosecutions are rarely successful, and frequently quite costly to local taxpayers.
Anti-pornography crusaders like Mr. Erickson were emboldened by the Meese Commission
report in 1986. Among their first targets was a record retailer in Alabama,
who was convicted of obscenity for selling an album by the rap group 2 Live
Crew. Two years later, a Florida judge declared a second 2 Live Crew album to
be obscene. Both decisions were overruled. The retailer was acquitted following
a second trial. The Florida decision eventually reached the U.S. Supreme Court,
which declared that record lyrics cannot be legally obscene.
How about museums? In 1990, Dennis Barrie, the director of the Cincinnati Contemporary
Arts Center, was indicted for obscenity and child pornography in connection
with an exhibition of the photos of artist Robert Mapplethorpe. He was acquitted.
In 1995, a prosecutor in Bellingham, Washington, demanded that The Newstand,
a magazine retailer, remove from sale a limited-circulation 'zine that dealt
satirically with the issue of violence against women.
When the owner refused, he and the store manager were indicted for obscenity.
They were acquitted, and they sued for wrongful prosecution.
A jury awarded them $1.3 million.
In 1997, Focus on the Family joined forces with anti-abortion activist Randall
Terry in a campaign to force booksellers to remove the books of award-winning
photographer Jock Sturges. While Focus on the Family encouraged its members
to pressure police to indict booksellers on child pornography charges, Terry
led demonstrations against the Barnes & Noble and Borders chains. In at
least 15 cases, demonstrators entered stores and destroyed Sturges' books. Two
Barnes & Noble stores in Alabama were indicted for sale of child pornography.
The prosecutions were later dropped.
In 1997, Oklahoma City police showed a judge 30 seconds worth of The Tin
Drum, a film about the horrors of life in Nazi Germany that won the "Palm d'Or" at the Cannes Film Festival in 1979, and an Academy Award for Best
Foreign Film. The judge, without viewing the entire film, without a hearing,
and without issuing a written opinion, pronounced it obscene. Police then went
to every video rental business in the city, seizing copies of the film, and
records of those who had rented it. They then proceeded to the homes of those
who had rented it, and seized it from them.
Judges eventually ruled that the film was not obscene, and that the police
had acted improperly. That one cost Oklahoma City taxpayers $580,000 in attorney's
fees.
Finally, Mr. Erickson should have known better than to submit his challenge,
as he himself was involved in a debacle in Libby, when he resided there.
After persuading the Lincoln County commissioners to adopt an obscenity ordinance,
he lobbied the county attorney to go after SaveRite Gas, a convenience store
that sold magazines, some admittedly less literary than others. Deputies showed
up and began sacking magazines, with a warrant written by the county attorney
and issued by the Justice of the Peace, neither of whom had seen the magazines
or made any determination of their "obscenity," a clear Fourth Amendment
violation. The owner, Rob Uithof, was charged with six counts of obscenity.
The jury literally laughed the obscenity case out of the courtroom and acquitted
Uithof. But nobody laughed when Uithof then sued the county for the illegal
search and seizure, settling for a significant sum that included attorney fees.
Three important points emerge from this: First, that obscenity laws have been
used, and will be used against legitimate businesses and cultural institutions
to advance a narrow agenda. The fact that they are unsuccessful does not alter
the "chilling effect" that such prosecutions may have. For every prosecution
that is pursued, many more are threatened, and legitimate artists and institutions
unwilling to face such an ordeal back down.
Next, these prosecutions are generally a waste of prosecutors' time, and frequently
a huge waste of taxpayer dollars.
The last is that the Constitution and the First Amendment exist not to enforce
the will of the majority, but to protect the rights of the minority.
Simply because a majority find a particular work distasteful -- be it a movie,
a book, a magazine, or a work of art -- is not alone sufficient reason to take
legal action against those who create, view, or distribute it.
Justice William J. Brennan, Jr. asserted that "if there is a bedrock principle
underlying the First Amendment, it is that government may not prohibit the expression
of an idea simply because society finds the idea offensive or disagreeable."
Justice Thurgood Marshall wrote, "If the First Amendment means anything,
it means that a state has no business telling a man sitting in his own house
what books he may read or what films he may watch."
Justice Anthony M. Kennedy wrote, "First Amendment freedoms are most in
danger when the government seeks to control thought or to justify its laws for
that impermissible end. The right to think is the beginning of freedom, and
speech must be protected from the government because speech is the beginning
of thought."
I suggest that Mr. Erickson reflect on the above -- and
check his facts -- before he speaks again.
Russ Lawrence's Letter to the Editor was developed with the help of Chris Finan, president of the American Booksellers Foundation for Free Expression, and David Horowitz, executive director of The Media Coalition.
Topics: Industry Voices - Lawrence, Free Expression,
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